What is your background?
I have a Bachelors degree in performance costume (1st) and worked for several years in the theatre across a variety of roles: designing shows, making costumes, and working backstage. I am also a musician, so my background is essentially in storytelling, whether through clothing or music.
What made you decide to study MA Fashion Cultures?
Costume is a powerful medium because it conveys everything written and unwritten about a character onto a body; but it is often overlooked. I wanted to give more consideration to the conceptual and communicative powers of clothing, and discovered that Fashion Studies is a fast-growing subject. It’s an exciting field in academia, and I wanted to be part of it.
Is there a particular project you have enjoyed working on during the course?
I enjoyed learning about a vast array of social theory and philosophy in the first term, and the challenge of applying these complex intellectual theories it to fashion and clothing – so often deemed superficial and unimportant. I was also fortunate to be the first student to do the Erasmus exchange with Stockholm University, where I loved writing a paper on costumes in Hitchock’s films.
What are you writing your dissertation on, and how did you decide upon this subject?
My dissertation researches the samfu suit (AKA ‘Chinese pyjamas’) during the mid-20th Century. I was keen to explore and apply post-colonial theory to fashion and dress history, in an attempt to ‘look back’ from the Orientalist gaze that I’ve been feeling quite fed up with. A literature search demonstrated a distinct lack of writing on this style of clothing; and even less has been written about the dress history of Chinese people living in diaspora. So I decided to fill a gap.
I won the Costume Society’s Yarwood Award and the Pasold Textiles Research Grant, which funded a trip to Singapore and Hong Kong. There, I discovered the archive of a brilliant mid-20th Century Chinese women’s magazine called The Young Companion; and carried out oral history interviews as part of my research. I also discovered that my great-grandmother had really great clothes in the 1950s, which was quite surprising since she lived in a village surrounded by rubber plantations in rural Malaysia.
I’ve truly enjoyed studying MA Fashion Cultures, and am planning on continuing the academic route. I hope to research, write and teach, and would like to contribute towards the continued diversification of Fashion History.
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