What is your background?
My background consists of a mix of various fields. I have a Bachelors in Business Administration while at the same time as my studies I was also studying Ballet and Contemporary Dance. After that I studied Fashion Styling, before coming in the UK for my Masters.
What made you decide to study MA Fashion Cultures?
I knew that I wanted to study at the London College of Fashion, so I started researching what course would be the best for me. I’ve always curious in exploring why people wear what they do, what drives them and how that tells about culture and society. This course proved to be the best choice.
Is there a particular project you have enjoyed working on during the course?
I enjoyed my essay on the dancer Vaslav Nijinsky, which inspired me so much that I continued with the subject for my dissertation. My focus was on the concept of masculinities and how his performances pushed the boundaries. He was the main dancer for Ballet Russes from 1909 until 1916, and while there are many writers that have focused on Ballet Russes in relation to its influence on female fashion, few have written about Vaslav Nijinsky.
What are you writing your dissertation on, and how did you decide upon this subject?
My dissertation focused on masculinities, by analysing Vaslav Nijinsky and two other male dancers of the early 20th century: Jean Börlin, who was the main dancer for Ballet Suédois, and Ted Shawn, who was an American dancer. Those three dancers were of great importance not only because of their performances, but because each one of them pushed the limits of the accepted masculinity of that time.
Throughout the year I’ve been working on my portfolio as a Stylist which is what I want to do. The knowledge I gained from my course gave me valuable insight on several aspects on fashion, a fact which I think will be important to my styling practice.
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